The Latest

Aug 1, 2016 / 1,283 notes

subtilitas:

Peter GrundmannNeiling II low budget house, Hoppenrade 2016. Via baunetz, photos © the architect. 

(via subtilitas)

Jun 28, 2016 / 244,652 notes
andrewharlow:
“ Wout Berger
”
Jun 28, 2016 / 42 notes
virtualgeometry:
“ KATE JACKLING
http://katejackling.com/babinets-playground/apz27n52ho4ud70kqcxlsdjw3fzgun
”
Jun 1, 2016 / 301 notes
Jun 1, 2016 / 134,750 notes
May 17, 2016 / 11,459 notes

(via sleepgreen)

scandinaviancollectors:
“ STIG LINDBERG, Domino vase (1955). Manufactured by Gustavsberg Ab, Sweden, material stoneware with black and white glazing.
”
May 17, 2016 / 261 notes

scandinaviancollectors:

STIG LINDBERG, Domino vase (1955). Manufactured by Gustavsberg Ab, Sweden, material stoneware with black and white glazing.

(via thomortiz)

styletaboo:
“ Tom Sachs - Donald Judd hacked chair [fiberglass and epoxy resin on IKEA furniture particleboard, 2009]
”
Apr 14, 2016 / 32 notes
Apr 5, 2016 / 424 notes

sevenknotwind:

Carlos Amorales
Coal Drawing Machine, 2012
Installation: machine, coal, steel, epoxy paint and paper banners
all text and images found via the artist’s website, more information :estudioamorales.com

Exhibited for the first time in a former coal mine in Belgium, at Manifesta 9 “The Deep of the Modern”, this paper labyrinth generates from the output by a machine which draws with coal. By making an analogy between the mine’s excavated underground and Hell, the drawings are repetitive patterns of magic symbols that can invoke demons but which also are considered to be the predecessors of the electronic circuits that are in use today. The machine functions through the span of the exhibition, it’s output accumulating day after day. The Coal Drawing Machine, an installation, questions the tension between the hand made quality of the traditional coal drawings and the fact of these being industrially produced by a machine. It is a piece that recalls the myth of robots and machines becoming sensible, as for instance in the novel “Do Androids Dream of Electric Sheep?” by Philip K. Dick, later filmed as “Blade Runner”.

(via typografika)

jesuisperdu:
“ wim borst
”
Mar 27, 2016 / 212 notes
Mar 21, 2016 / 203 notes

(via thomortiz)

Feb 10, 2016 / 236,018 notes
mo-tif:
“ http://studio.tompregiato.com/noise
”
Feb 10, 2016 / 493 notes
Feb 10, 2016 / 422 notes

finn-wilkie:

Niall McLaughlin, Fishing Hut, Hampshire, 2015

www.niallmclaughlin.com/

(via thomortiz)

Feb 4, 2016 / 1,010 notes

archatlas:

Invisible Cities. Architecture of Exodus Marco Tiberio

When we talk about the recent refugee crisis in Europe, the lack of different languages is giving back rather a sterile and standardised information where the “interesting” is represented by what people wants to see: most often, grieve and poverty. As a new European social class, refugees - especially non-Europeans - deserve a much deeper analysis than the one that has been carried on until now. 

With this project, presented in rather a serial and cold manner, but which hide hours and hours of conversations with the refugees, I want to analyse immigration from a different perspective, because behind a simple house made of wood and plastic, there is much more than we expect.

Images and text via Marco Tiberio

(via brinkworth-design)